manfred bukofzer造句

例句与造句

1. These madrigals also show the influence of monody, developing at the same time : Manfred Bukofzer called the development of the recitative-like'stile rappresentativo'around 1600 as " the most important turning point in the entire history of music ."
2. A letter separate from the Newsletter signed by the aforementioned four, but also Manfred Bukofzer, Frances Densmore, Mieczslaw Kolinksi, Curt Sachs ( who worked alongside Hornbostel ), Harold Spivacke, and Richard Waterman, was sent to about 70 individuals.
3. However this was an isolated reference, and consistent use of the term as a period designator was only begun in 1919, by Curt Sachs, and it was not until 1940 that it was first used in English ( in an article published by Manfred Bukofzer ).
4. As a composer, according to Manfred Bukofzer, " His individual, if not subjective, style has no precedent in baroque music and clearly heralds the end of the entire era " ( Bukofzer 1947, 234 ), while Luigi Torchi maintained that " he rescued the imperiled music of the eighteenth century " ( Torchi 1901, 180 ).
5. The cantus firmus on which the mass is based, which was long of mysterious origin, was discovered by Manfred Bukofzer to be from the Sarum Rite : the melisma on the last word, " caput ", from the antiphon " Venit ad Petrum ", which was used at the " Mixolydian, are implied, giving it an extraordinary melodic diversity.
6. It's difficult to find manfred bukofzer in a sentence. 用manfred bukofzer造句挺难的
7. Critics were quick to question the attempt to transpose W鰈fflin's categories to music, however, and in the second quarter of the 20th century independent attempts were made by Manfred Bukofzer ( in Germany and, after his immigration, in America ) and by Suzanne Clercx-Lejeune ( in Belgium ) to use autonomous, technical analysis rather than comparative abstractions, in order to avoid the adaptation of theories based on the plastic arts and literature to music.
8. Other studies and documents published by the society include the complete works of William Billings, edited by Karl Kroeger et al . ( 4 vols, 1977 1990 ), the series " Music of the United States of America " ( 1993 present ), Johannes Ockeghem's collected works edited by Dragan Plamenac and Richard Wexler ( 3 vols ., 1966, 1992 ), John Dunstaple's complete works edited by Manfred Bukofzer, published jointly with Musica Britannica ( 1970 ), Joseph Kerman's " The Elizabethan Madrigal " ( 1962 ), E . R . Reilly's " Quantz and his Versuch " ( 1971 ), E . H . Sparks's " The Music of Noel Bauldeweyn " ( 1972 ), " Essays in Musicology : a Tribute to Alvin H . Johnson " edited by Lewis Lockwood and Edward Roesner ( 1990 ), and, in conjunction with the International Musicological Society, " Doctoral Dissertations in Musicology " edited by C . D . Adkins and A . Dickinson in succession to Helen Hewitt ( 1952, 1957, 1961, 1965, 1971, 1977, 1984 [ first cumulative edition ], 1990, 1996 [ second series, second cumulative edition ] ) . ( Brunswick, 2011)